ANALISIS KOMENTAR PADA POSTINGAN TIKTOK TENTANG KISAH CINTA NA HEE-DO DAN BAEK YI JIN DALAM DRAMA TWENTY FIVE TWENTY ONE DI AKUN @wetalkaboutmovies
DOI:
https://doi.org/10.51878/cendekia.v6i4.10999Keywords:
TikTok, Twenty Five Twenty One, Opini Penonton, Komentar Media Sosial, Audiens Drama KoreaAbstract
ABSTRACT
The Korean drama Twenty Five Twenty One presents the relationship between Na Hee-do and Baek Yi-jin, which has generated diverse audience responses, particularly regarding the resolution of their relationship. These varied responses indicate differences in how audiences respond to and evaluate the narrative and ending presented in the drama. This study aims to describe audience opinions categorized as pro, contra, and neutral regarding the love story of Na Hee-do and Baek Yi-jin through comments on a TikTok post from the @wetalkaboutmovies account. The study employed a qualitative approach with a descriptive method. The data consisted of 50 comments posted on an upload published on March 2, 2024. Data analysis involved selecting relevant comments, coding the data, grouping comments according to opinion categories, and presenting the identified response patterns. The results showed that neutral responses dominated, comprising 36 comments (72%), followed by pro responses with 12 comments (24%) and contra responses with 2 comments (4%). These findings indicate that audience responses were not entirely expressed through explicit acceptance or rejection of the relationship between the two characters. Thus, TikTok comments serve as a space for audience participation in expressing responses and constructing interpretations of Korean drama narratives.
ABSTRAK
Drama Korea Twenty Five Twenty One menghadirkan kisah hubungan Na Hee-do dan Baek Yi-jin yang memunculkan beragam tanggapan penonton, terutama terhadap penyelesaian hubungan kedua tokoh. Perbedaan tanggapan tersebut menunjukkan adanya variasi respons audiens ketika menilai narasi dan akhir cerita yang disajikan melalui drama. Penelitian ini bertujuan mendeskripsikan opini penonton yang terbagi dalam kategori pro, kontra, dan netral terhadap kisah cinta Na Hee-do dan Baek Yi-jin melalui komentar pada unggahan TikTok akun @wetalkaboutmovies. Penelitian menggunakan pendekatan kualitatif dengan metode deskriptif. Data berupa 50 komentar pada unggahan yang dipublikasikan 2 Maret 2024. Analisis dilakukan melalui seleksi komentar yang relevan, pengodean data, pengelompokan berdasarkan kategori opini, dan penyajian pola respons yang ditemukan. Hasil penelitian menunjukkan bahwa kategori netral mendominasi dengan 36 komentar (72%), diikuti kategori pro sebanyak 12 komentar (24%) dan kategori kontra sebanyak 2 komentar (4%). Temuan tersebut menunjukkan bahwa respons audiens tidak seluruhnya diwujudkan dalam bentuk penerimaan atau penolakan secara eksplisit terhadap hubungan kedua tokoh. Dengan demikian, komentar TikTok menjadi ruang partisipasi audiens untuk menyampaikan respons dan membangun pemaknaan terhadap narasi drama Korea.
Downloads
References
Agusta, R., & Wahyuni, E. (2023). Bullying dalam drama Korea (Analisis resepsi dalam drama Korea True Beauty 2020). MUKASI: Jurnal Ilmu Komunikasi, 2(1), 98–110. https://doi.org/10.54259/mukasi.v2i1.1489
Azkia, N. I., & Indriastuti, Y. (2024). Analisis resepsi audiens tentang akun TikTok @codebluuuu (Review kuliner pada restoran bintang 5). JIIP: Jurnal Ilmiah Ilmu Pendidikan, 7(3), 2564–2571. https://doi.org/10.54371/jiip.v7i3.3653
Berbiguier, M. (2023). When they say they are a K-drama fan, but their first drama is Squid Game: What is an authentic K-drama? Journal of Fandom Studies, 11(2–3), 117–132. https://intellectdiscover.com/content/journals/10.1386/jfs_00077_1
Chasih, H. D. I., & Indriastuti, Y. (2025). Analisis resepsi audiens TikTok terhadap maskulinitas pada akun TikTok @gana_buna. Jurnal Ilmu Komunikasi dan Bisnis, 11(1), 110–125. https://doi.org/10.36914/fq0sf589
Farsya, N. (2023). Resepsi audiens terhadap pemaknaan alpha female dalam drama Korea Our Beloved Summer [Skripsi, Universitas Gadjah Mada]. Universitas Gadjah Mada Institutional Repository. https://etd.repository.ugm.ac.id/penelitian/detail/231493
Fauziah, N., & Puspita, R. (2022). Pemaknaan penonton remaja di Jakarta terhadap operasi plastik dalam drama Korea My ID is Gangnam Beauty. Jurnal Darussalam: Jurnal Pendidikan, Komunikasi dan Pemikiran Hukum Islam, 13(2). https://doi.org/10.30739/darussalam.v13i2.1451
Guo, S. (2022). Return of fandom in the digital age with the rise of social media. In Research anthology on fandoms, online social communities, and pop culture (pp. 216–233). IGI Global. https://www.igi-global.com/chapter/return-of-fandom-in-the-digital-age-with-the-rise-of-social-media/296513
Haq, Z. N. I., & Alamiyah, S. S. (2023). The quarter-life crisis representation of Baek Yi Jin’s character in the Korean drama Twenty Five Twenty One. Kinesik, 10(3), 301–321. https://jurnal.fisip.untad.ac.id/index.php/kinesik/id/article/view/880
Hemastuti, T., & Wulan, R. R. (2025). Dynamics of audience interpretation and reception of Korean drama Queen of Tears. Jurnal Ilmiah LISKI (Lingkar Studi Komunikasi), 11(2), 104–119. https://journals.telkomuniversity.ac.id/liski/article/view/9059
Jang, M., Kim, D., & Baek, H. (2024). More than just a fan: The influence of K-pop fandom on the popularity of K-drama on a global OTT platform. Applied Economics Letters, 31(2), 152–157. https://doi.org/10.1080/13504851.2022.2129038
Kaye, D. B. V., Chen, X., & Zeng, J. (2021). The co-evolution of two Chinese mobile short video apps: Parallel platformization of Douyin and TikTok. Mobile Media & Communication, 9(2), 229–253. https://doi.org/10.1177/2050157920952120
Kim, J., & Sintas, J. L. (2021). Social TV viewers’ symbolic parasocial interactions with media characters: A topic modelling analysis of viewers’ comments. Social Sciences & Humanities Open, 3(1), 100129. https://doi.org/10.1016/j.ssaho.2021.100129
Labibah, Y., & Setiadi, T. (2026). Analisis resepsi penggemar generasi z terhadap diskriminasi dalam reality show boys2planet. The Commercium, 10(3), 294–306. https://ejournal.unesa.ac.id/index.php/Commercium/article/view/81194
Lestari, L. A., Dwivayani, K. D., Muhammad, H. I., & Ibrizah, Z. (2026). Perilaku komunikasi pemujaan pada fandom idol Korea dalam komunitas EXO-L Samarinda. Jurnal Kajian dan Penelitian Umum, 4(2), 203–218. https://doi.org/10.47861/jkpu-nalanda.v4i2.2248
Messerli, T. C., & Locher, M. A. (2021). Humour support and emotive stance in comments on Korean TV drama. Journal of Pragmatics, 178, 408–425. https://www.sciencedirect.com/science/article/pii/S0378216621000928
Prameswari, A., & Tanjung, S. (2025). Fandom dan interaksi parasosial dalam TikTok. Jurnal Mahasiswa Komunikasi Cantrik, 5(1). https://doi.org/10.20885/cantrik.vol5.iss1.art1
Pratama, A. D. Y., & Suastha, P. V. M. (2024). Exploring digital discourtesy: Impoliteness strategies in K-drama fan discourse on social media. Journal of Pragmatics and Discourse Research, 4(2), 168–179. https://doi.org/10.51817/jpdr.v4i2.969
Putri, M. N., & Basaria, D. (2025). Hubungan antara loneliness dan interaksi parasosial pada penggemar K-drama. Didaktik: Jurnal Ilmiah PGSD STKIP Subang, 11(4), 371–380. http://www.journal.stkipsubang.ac.id/index.php/didaktik/article/view/10712
Putri , P. Y., & Purwadi. (2025). Representations of Korean Dramas in Indonesian Audience Discourse: A Topic Modeling Analysis of YouTube Comments. INJECT (Interdisciplinary Journal of Communication), 10(1), 989–1010. https://doi.org/10.18326/inject.v10i1.4525
Shelvira, P. A., Azzarah, I. V., Mubarok, F. S., & Mubarok, M. (2026). Analisis resepsi khalayak pada representasi maskulinitas anti-patriarki dalam karakter Gwan-sik di drama Korea When Life Gives You Tangerines. Jejak Digital: Jurnal Ilmiah Multidisiplin, 2(4), 5294–5301. http://indojurnal.com/index.php/jejakdigital/article/view/3182
Sukowati, R. T., Agustina, I., & Riyanti, A. (2026). Penonton sebagai aktor sosial: Hiperrealitas dan pemaknaan terhadap serial drama Korea. SABANA: Jurnal Sosiologi, Antropologi, dan Budaya Nusantara, 5(1), 136–150. https://journal.literasisains.id/index.php/sabana/article/view/7633
Tutiasri, R., Wibowo, A. A., & Pradana, J. P. (2023). Analisis resepsi remaja penonton video FYP terhadap popularitas konten kreator unik (@binirehan1) “Begitu sulit lupakan Rehan.” JCommsci: Journal of Media and Communication Science, 6(2), 1–10. https://doi.org/10.29303/jcommsci.v6i2.205
Wahyuni, R. S., Missriani, & Fitriani, Y. (2022). Dominasi eksistensi drama Korea dibanding drama lokal. Jurnal Pembahsi (Pembelajaran Bahasa dan Sastra Indonesia), 12(2). https://garuda.kemdiktisaintek.go.id/documents/detail/3275551
